Potensi klub-klub di Indonesia !!!

'100 Klub Indonesia Berpotensi Tampil di Liga Champions Asia' 

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Jakarta - Konfederasi sepakbola Asia (AFC) mengatakan ada sekitar 100 tim di Indonesia yang berpotensi tampil di Liga Champions Asia. Klub yang akhirnya mendapat kesempatan adalah yang bisa memenuhi kriteria AFC.

Dalam Assesment Workshop yang dilakukan PSSI, klub-klub serta wakil AFC di Hotel Sahid, Rabu (3/8/2011), PSSI memberi waktu hingga 22 Agustus bagi klub- klub untuk memenuhi lima aspek persyaratan yang ditetapkan AFC untuk menjadi klub profesional.

Setelahnya pada 25 Agustus PSSI akan mengumumkan siapa-siapa yang akan bisa tampil di kompetisi format baru musim depan yang direncanakan kickoff 8 Oktober.

Sederhananya adalah PSSI memberikan kesempatan sama besarnya bagi klub ISL, LPI dan Divisi Utama untuk berkompetisi musim depan, asalkan memenuhi syarat yang telah ditentukan.

Dengan kondisi di mana semua klub memiliki kesempatan sama besarnya, maka hampir semua klub di kasta tersebut juga memiliki kesempatan untuk tampil di Liga Champions Asia (ACL). Penilaian tersebut disampaikan direktur kompetisi dan proyek sepakbola profesional AFC, Tokuaki Suzuki.

"Jika Anda memenuhi kriteria ACL, maka liga domestik bisa dimulai dengan mulus. Untuk sekarang, ada lebih dari 100 klub punya potensi dan kesempatan untuk berpartisipasi di liga profesional dan ACL mulai musim 2012 dan saya ingin semua klub itu masuk kriteria," ujar Suzuki seperti dikutip dari situs resmi AFC.

AFC memberikan batas waktu kepada Indonesia hingga 14 Oktober mendatang untuk menyelesaikan segala persoalan dan memenuhi persyaratan yang diminta oleh AFC. Ada pun kriteria yang ditekankan adalah dalam segi finansial dan legal.

"Selain membicarakan itu kami juga mempersiapkan kriteria Asian Champions League bagi klub yang akan ikut serta di kompetisi liga profesional," jelas Suzuki.

"Tujuan kami dalam kunjungan ke Indonesia ini adalah menjelaskan kriteria ACL dan bagaimana klub-klub di sini bisa mencapai kriteria yang kami minta. Sepakbola Indonesia punya potensi besar untuk persepakbolaan Asia dan itu sebabnya kami memakai kriteria ACL," tuntas dia.
 

IT IS THE TIME TO REVENGE CITY !!!!!!!!!!

 

FA Community Shield 2011

sunday 7th August 2011 | An annual football match at London's Wembley Stadium, the FA Community Shield event (formerly known as the FA Charity Shield) takes place at the beginning of the English football season. The match is contested between the previous seasons' Premiership Champions and FA Cup winners.

FA Community Shield Teams 2011

The 2011 FA Community shield will be played at Wembley Stadium between 2010/2011 FA Premier League champions Manchester United and 2010/2011 FA Cup winners Manchester City, on Sunday 7th August 2011.

Community Shield match rules: The match lasts 90 minutes, comprising of two 45 minute periods that are separated by a 15 minute break. If the scores are level after 90 minutes the match will go to a penalty shootout, where each side takes five penalty kicks each, and the winner is the team who scores more goals in the shootout. If the scores are level after each team has taken five penalty kicks, the match goes to sudden death, whereby each team takes one penalty kick each in succession, and the winner is the team who scores their sudden death kick when the other team misses.

Trance music

                                                           

Trance is a genre of electronic dance music that developed in the 1990s;^[3]:251 generally characterized by a tempo of between 125 and 150 bpm,^[3]:252 repeating melodic synthesizer phrases, and a musical form that builds up and breaks down throughout a track. It is a combination of many forms of music such as techno,^[1]:15,17house, industrial, new age, pop^[1]:16, chill-out,^[1]:17 ambient, electronic art music, classical music,^[1]:16[2]:35 and film music.^[2]:35 It is usually more melodic than techno, and the harder styles usually have harder beats than house. The origin of the term is uncertain, with some suggesting that the term is derived from the Klaus Schulze album Trancefer (1981) or the early trance act Dance 2 Trance. Others, though, argue the name may refer to an induced emotional feeling, high, euphoria, chills, or uplifting rush listeners claim to experience. Yet others trace the name to the actual trance-like states that the earliest forms of the music attempted to generate in the 1990s before the genre's focus changed.^[3]:252

Trance also employs dynamics to a greater extent than most other forms of electronic music. A characteristic of many trance songs is the mid-song break in which the rhythm tracks are faded out, leaving the melody and/or atmospherics to stand alone for a few moments. The break adds some dynamics to the song, makes it more interesting to the ear, and provides dancers with a few moments in which they can improvise if they wish. Fashion tends to go back and forth between vocal and instrumental pieces every few years; usually when vocals are present, they are sung by a female singer with a soaring, operatic type voice.

History

Origin

Germany is the birthplace of trance music,^[3]:251 with the original melodic sound first appearing around 1993 in Frankfurt.^[1]:15

Some trace trance's antecedents back to Klaus Schulze, a German experimental electronic music artist who concentrated on blending minimalist music with repetitive rhythms and arpeggiated sounds. In France, Jean Michel Jarre, an early electronic musician,^[4]Oxygène in 1976 and Equinoxe in 1978. Also a possible antecedent, Neil Young's 1982 electronic album, Trans, bears a resemblance to the trance music genre.^[5] released two albums in the late 1970s:

Examples of early Trance releases include but are not limited to German duo Jam & Spoon's 1992 12" Single remix of The Age Of Love.^[6]:15, German duo Dance 2 Trance's 1990 track "We Came in Peace",^[3]:251 Also, Hi-NRG is also often regarded as the origin of the earlier forms of vocal trance music.^{[by whom?]}

As for the roots of contemporary trance, some^{[by whom?]} trace it to Paul van Dyk's 1993 remix of Humate's 'Love Stimulation'.^[6]:15. In subsequent years, one genre, vocal trance, arose as the combination of progressive elements and pop music, and the development of another subgenre, epic trance, had some of its origins in classical music.^[1]:15, with film music also being influential.^[2]:35

Popular

Historically, the most popular DJs in the world often played Trance music; in 12 of the last 13 years, such DJs always ranked #1 in the world in the DJ Mag ranking: Paul OakenfoldSasha (2000), John Digweed (2001), TiëstoPaul van Dyk (2005–2006), and Armin van Buuren (1998–1999), (2002–2004), (2007–2010).

By 1995 trance emerged as a popular genre of dance music.^{[citation needed]}

Meanwhile, a different type of trance, generally called uplifting trance, became popular. Uplifting trance had buildups and breakdowns that were longer and more exaggerated, being more direct and less subtle than progressive, with more easily identifiable tunes and anthems. Many such trance tracks follow a set form, featuring an introduction, steady build, a breakdown, and then an anthem, a form aptly called the "build-breakdown-anthem" form. Uplifting vocals, usually female, were also becoming more and more prevalent, adding to trance's popular appeal.^{[citation needed]}

Artists like Tiësto, Paul van Dyk, Armin van Buuren, Brian Transeau, Robert Miles, Above & Beyond, Darren Tate, Ferry Corsten, Johan Gielen, ATB, Paul Oakenfold, Pulser, and Third Element became popular as producers and remixers.^{[citation needed][citation needed]} Many of these producers also DJ'd in clubs playing their own productions as well as those by other trance DJs. By the end of the 1990s, trance maintained a healthy following in most of the world's key dance markets.

Post-popular

As an alternative evolution, some artists have attempted to fuse trance with other genres such as drum'n'bass. Others have experimented with more minimalist sounds.

Trance elements were often introduced into other genres such as acid techno and nustyle gabber, resulting in the post-trance genres hard trance and hardstyle, respectively. Nu-NRG has been the core element of hardstyle since 2007, thus making hardstyle much more melodical in nature, resulting in many artists of the genre ditching its hard trance elements in favor of a more bouncy techno -like sound.

Trance has retained popularity on the internet with the abundance of legal music download sites, including Juno Download, and Beatport, enabling enthusiasts to avoid tracking down hard to find vinyl by downloading mp3s and uncompressed wavs. As a result, both commercial and progressive trance now have a much more global, if not chart-bound, presence, with big-draw artists such as Armin van Buuren, Ferry Corsten, Above & Beyond, Paul van Dyk, Tiësto, ATB, Markus Schulz, Rank 1, Gareth Emery, Dash Berlin, Paul Oakenfold, and the US's Christopher Lawrence and George Acosta able to maintain their esteemed positions while upcoming producers and DJs can also break through into the public domain.

Sub-genres

 

Trance music is broken into a large number of sub-genres. Chronologically, the major sub-genres are Classic trance, Acid trance, Progressive trance, and Uplifting Trance. Uplifting Trance is also known as "Anthem trance", "Epic trance", "Stadium trance", or "Euphoric trance", and has been strongly influenced by classical music both in the 1990s^[1] and at present with the development of the sub-genre "Orchestral uplifting trance" or "Uplifting trance with symphonic orchestra" by such artists as Andy Blueman, Soundlift, and Arctic Moon. Closely related to Uplifting Trance is Euro-trance, which has become a general term for a wide variety of highly commercialized European dance music. Several subgenres are crossovers with other major genres of electronic music. For instance, tech trance is a mixture of trance and techno, Vocal Trance adds vocals and a pop-like structure to the songs, and ambient trance is a mixture of ambient and trance. Balearic beat, which is associated with the laid back vacation lifestyle of Ibiza, Spain, is often called "Ibiza trance". Similarly, Dream trance is sometimes called "Dream House", and is a subgenre of relaxing trance pioneered by Robert Miles in the mid 90s. In recent years, trance has been blended with elements of heavy metal music (mostly melodic death metal). This fusion genre is often termed "trance metal". Three other forms of Trance music are Fantasy, Rave, and Sweet Trance which have been made within the past 3 years.^{[citation needed]}

Chinese trance is a subgenre of trance music that originated in China in 2000. It features accelerated tempo, between 160 and 190 bpm. It derives from House, Techno, Psy and Indian Goa Trance.^{[citation needed]}

Another important distinction is between European trance and Goa trance which originated in Goa, India around the same time trance was evolving in Europe. Goa trance was influential in the formation of Psychedelic Trance, which features the use of harmonic minor keys in its composition. Psytrance is also very popular in Israel, with psychedelic trance producers such as Infected Mushroom, Astrix, and Yahel Sherman achieving world wide fame.^{[citation needed]}

Electronic Dance Music Festivals

Electronic Dance Music Festivals often attract large crowds and usually feature sophisticated lighting, laser and pyrotechnic displays. Many of these festivals showcase Trance music; most of the large festivals that focus on Trance are held in Europe.

Hentikan Yel-yel Memaki Kelompok Supporter Lain

Minggu, 28-10-2007 16:46:14 oleh: jojo raharjo
Kanal: Gaya Hidup

Semarak sepakbola Indonesia terus menunjukkan eskalasi signifikan dari musim ke musim. Sejak Liga Indonesia kali pertama bergulir pada 1994/1995 hingga menjelang pentas Superliga yang akan launching tahun depan, fenomena berdirinya kelompok-kelompok supporter semakin memberi warna kebangkitan kembali era profesionalisme sepakbola Indonesia setelah kejayaan Galatama di awal 1980-an tenggelam karena tercoreng skandal suap dan gelegar kompetisi perserikatan juga ternoda aib sepakbola gajah.
Sayang, di tengah semangat tinggi para kelompok supporter ini -yang ditandai dengan penghargaan pendukung klub terbaik dari musim ke musim- aroma tak sedap muncul dari fans club yang terang-terangan menyatakan kebenciannya kepada kelompok pendukung klub lain dengan cara tak bersahabat.
Tak terkecuali dari Aremania, kelompok supporter yang tahun lalu mendapat penghargaan pendukung terbaik versi Panitia Copa Indonesia dan sampai saat ini dianggap sebagai "master"-nya fans club sepakbola Indonesia. Dalam setiap pertandingan di Stadion Kanjuruhan yang kerap ditayangkan televisi, Aremania membuat lagu atau chants khusus yang ditujukan kepada rivalnya, Bonekmania pendukung Persebaya. Dalam lagu yang nadanya terinspirasi dari Mars Slankers itu, Aremania bernyanyi keras, "Di sini bukan bonek-bonek janc**k...."
Kurang etisnya nyanyian yang mencaci pendukung lain rupanya juga ditiru Persikmania, yang sejak kehadirannya di kasta Divisi Utama memasang status sebagai oposisi utama Aremania, pendukung kota tetangga yang kalau dilihat dari sejarah kedua tim sesungguhnya lebih tepat disebut sebagai saudara tua.
Dalam laga yang ditayangkan langsung ANTV dari Stadion Brawijaya Kediri sehari menjelang peringatan Sumpah Pemuda ke-79 antara Persik menjamu PSS Sleman, Persikmania menitipkan pesan kepada Aremania lewat yel-yel yang ironisnya mereka cuplik dari chants ciptaan "kakak"-nya itu. "Arema.... dibunuh saja..." begitu teriak Persikmania, layaknya lagu serupa dinyanyikan Aremania untuk menjatuhkan mental lawan-lawan Arema di kandang singa.
Sudah saatnya, lagu-lagu yang mengejek, mencaci bahkan menjatuhkan martabat kelompok supporter lawan diganti. Yel-yel yang menggunakan kata "bunuh", "anjing", maupun umpatan-umpatan lokal seharusnya diubah dengan kata-kata atau lagu-lagu kreatif yang dampaknya akan membuat supporter Indonesia mendapatkan citra positif di mata internasional, layaknya kenangan indah perhelatan Piala Asia di Jakarta pertengahan tahun lalu.
Maju terus sepakbola Indonesia, bravo kelompok supporter Indonesia!